Vanishing

With all this time at home and so many headlines, I find I’m spending way more time on my phone in the past week than I have in a long time. As a result of scrolling, I saw this video of Kelly Clarkson (have always been a fan) doing an a cappella version of Mariah Carey’s “Vanishing”, or “track 5” as Kelly called it. I felt that in my soul – the eponymous album by the diva hooked me as a little girl and up into my teens I was still purchasing her CDs with my piano teaching money and listening to them on repeat. Of course, the listening came with an attempted vocal accompaniment by yours truly… attempted. By an untrained amateur alto.

After watching Kelly belt it out in her bathroom in a Montana cabin (ugh, that sounds awesome), I played “Track 5” by Mariah while working in the kitchen. That in itself felt strange, to play the song out of context. The album is one to be enjoyed in its entirety, preferably with the huge 80’s-era headphones of my dad’s, sitting on the living room floor completely oblivious to the world, bass cranked.

I was finishing up picking the meat off of a homecooked “rotisserie” chicken and putting the bones and some veggie scraps back into the Instant Pot to make a broth. My alto voice was (attempting to) sing along to the first verse, chorus, second verse… then I was putting away dishes from the dishwasher to make room for dirty ones.

If I could recapture || All of the memories || And bring them to life Surely I would

Before I knew it, I was in tears. Utterly blindsided. I could not have seen it coming from miles away. It all happened so fast, the train of thought that left the station quickly and then slammed on the brakes. I was swaying a bit (I’m home alone this afternoon so who cares) and in a split second I was reminded of my mom telling me that when I was little, she and I would dance to this in the kitchen. I was four years old when the album was released, in 1990.

Hear the distant laughter || Wasn’t it you and me || Surviving the night || You’re fading out of my sight || Swiftly

And suddenly the four-year-old blonde haired blue eyed girl became the nearly 34-year-old woman holding the four-year-old girl, swaying and dancing with her. Not in the Bacon Street kitchen, but in my kitchen in 2020 during a global pandemic. I, the almost 34-year-old woman was not looking at my mother, but I was mesmerized, gazing at my own daughter, at her messy ponytail swaying and her little legs and bare feet kicking and her mouth open, laughing. And that, with the lyrics and music and felt experience, I was realizing just how real the song felt in my bones and I just started crying.

Oh, I was so enraptured || No sensibility || To open my eyes || I misunderstood || Now you’re fading faster || It’s suddenly hard to see || You’re taking the light || Letting the shadows inside || Swiftly

So, like any sane person does when a song moves them, I played it again, while letting myself not just feel the feelings, but experience the feelings. The loss. The life that could have been. How this quarantine could be so different. How my life certainly must be playing out in a different way in a parallel universe. That’s the way we have to be present and sit with it (or sway to it in your kitchen with a dish towel in hand). It’s really not an option for me anymore to acknowledge the feeling with a nod of my chin and a few teary blinks and move on.

Fuck, it hurts. It’s a physical pain in my heart and chest. It’s intense, and lasts for a little while. But it’s necessary. And a reminder that while in general I am content with my life, and free from worry about bringing children into this crazy-ass world, I am not immune to my own grief and hurt and despair. It comes to the surface every now and then, a reminder that I am human and I am or was a mother (in another life) and that for some reason the souls of my children never made it to this world.

Reaching out into the distance
Searching for spirits of the past
Just a trace of your existence to grasp