If I were to choose a playlist of songs to make up the soundtrack to my biography, at the very top of the list tied for first place there would be classic rock and Methodist hymns. The top artists would be Heart and Charles Wesley. The former as a nod to the music I was raised and the latter as a testament to the music that played over and over in my head after church on Sundays. Both formed my spirituality.

I owe so much of my literacy development and my mad sight reading skills to having to read out of a hymnal in church. From the tender age of five I was singing along to hymns in church accompanied usually by the organ. We sat in the third row towards the center, so I generally wasn’t within the proper angle to see the organist plugging away at her work, but I was mesmerized nonetheless. If I remember correctly, I sat between my grandma and my mom. Or sometimes between my grandma and my sisters. If I remember correctly. But for sure I knew that my grandma was on my left, at the ready with Mentos or Winterfresh gum.

We would mark the hymns ahead of time with little ribbons by looking through the bulletin. I remember the anticipation of singing a hymn I loved. I adore hymns for so many reasons, only one of which is how beautifully the chords move through their progressions and carry a swelling and then fading melody. Then of course how many verses rhyme. I especially love the way that it’s easy to harmonize – the only question for me is which note I start on. To find this I hum along while the introduction is played and that usually sets me straight. I love to be a sole chorus of altos in a sea of sopranos and tenors and basses. I love hymns so much that I may have swiped a hymnal from the church I grew up in, and still have it on my shelf to this day. Truthfully, I probably borrowed it to practice songs on the piano and then forgot to give it back.

Hymns were my prayers, and some 30 years after beginning my formal journey in organized religion, I realize that. In the fine print below each hymn, you can see from where and when the words and music originated. My favorites are the ones where the words come from a translation of Latin from the 9th century (like “O Come O Come Emmanuel”) or when a hymn was written during a pivotal moment in history like the Civil War. But it doesn’t have to say “written during the Civil War”; I know that the years of 1861 through 1865 bear significance. It meant a lot to me that I was also singing the same choruses as my spiritual predecessors from ages ago.

I often committed words and music of hymns to memory. This will happen after you sing something so many times. Not only does repetition play a huge part, but so does the context in which you sing the hymn. We know from modern brain science that the body remembers first – whether an event was traumatic or not. It makes pathways from sights and smells, warmth and cold. This is how I made memories with hymns. I know that “For the Beauty of the Earth” is usually sung in the spring, with spring banners and colors adorning the church, trying to decide if I would wear a raincoat to cross the alley to church or just run for it. Memories of Christmas Eve hymns like “Silent Night” are laced with the scent of tiny candles blown out, and during the late service my belly would be full from a dinner with family.

Just like Scripture I’ve memorized (which by the way, isn’t much: I kind of suck at memorizing just words out of context), hymns will come back to the forefront of my mind at different times. During this time of Advent, the song “O Come O Come Emmanuel” plays in my head over and over. I find myself searching for the newest renditions by artists like Piano Guys and Gungor. I listen, and satisfy that craving for a comfort that’s enveloped in a minor key, Thys and Thous, and a predictable rhythm. I also find nuances I’d never noticed before and appreciate the song through fresh ears.

Many years after my first foray into church, I decided to begin attending a new church of a very different denomination than the one I grew up in. This church did not sing many hymns during their worship services, and if they did it was accompanied by drums and lights and not a lot of harmonies. To my knowledge, the only organ was a small one that hid in the corner of the platform, collecting dust.

In that tradition I learned many different types of music and worship that were much more “extroverted,” or so it seemed. Hands raised, voices crying out, sometimes even with non-English and non-other-known-language utterances. Lots of repetition of the same phrase became a very emotional thing, and as a teenager who had always been moved by music (apparently I was rocking to the beat by 8 months old) I took it all in.

However, it was odd to me at first. I never felt so much emotional while singing in church before, not unless it was at a funeral. It didn’t mean that I wasn’t emotional about God, however, or didn’t care as much or wasn’t as “saved” as my new fellow congregants. I know that now.

I slowly picked up on the culture of the new church – one of valuing extroversion, that revered people’s willingness to pray out loud in front of people. We held hands, and I learned to pray out loud very long prayers. With lots of Lords and Gods and Jesuses. I think I prayed like that because to some extent I was being authentic and I wasn’t afraid to do it, especially if I felt comfortable with the group. It was my way of being like the leader I’d been in my Sunday School classes, being the teacher’s pet.

But I also think I prayed like that because it’s what was valued and seen as “real” prayer. For some reason I began to think that all the praying I’d done before wasn’t good enough, or sincere enough. And God surely would answer prayers were I was bold enough to speak out loud to a group. Apparently praying in my head just wasn’t enough anymore, and that was the beginning of my turning away from what I grew up with into a new denomination that would dominate my ways of thinking and being and interacting for about a decade.

What if people were invited to come tell what they already know of God instead of to learn what they are supposed to believe?

in Leaving Church by Barbara Brown Taylor

I have since returned to the tradition I grew up in. When we moved cross-country and returned to civilian life, I needed something different. I have a lot, lot more to say about my experiences in right-wing evangelical church. It turns out many people do But in unpacking the hurt and shame and uncertainty and division of my spirit and my body, I have found that the prayer I have felt comfortable doing is the right prayer.

The Lord’s Prayer prayed out loud with my church family is the right prayer. The Apostle’s Creed recited aloud is the right prayer. The brief silent prayer after communion is the right prayer. The “graces” we pray before meals in my house are the right prayers. The prayers I follow along with during a virtual service while also cross-stitching or crocheting are the right prayers.

I have also realized that the hymns I sang and memorized were prayers. I was actually praying so much when I was singing. And if part of meditation is sitting on a line or song or idea for awhile, then I was meditating too.

I’m sad that for many years I taught myself to reject the faith and mode of worship I developed as a child into adolescence, that I inherited from both sides of my family, that I celebrated in basements of country churches. I learned to look down my nose at my supposedly unenlightened friends and family who just didn’t have enough of the Holy Spirit… yet. I told myself I was better than they were because I prayed out loud and sang loud songs with drums and electric guitars and listened to sermons that were 45 minutes, not 15. And I had extreme guilt if I couldn’t “convert” my friends and family, who had a faith and belief of their own, to my new way of thinking. However, as Rachel Held Evans writes in Faith Unraveled, “We are saved by a restored relationship with God, which might look a little different from person to person, culture to culture, time to time.”

I’m also kind of angry at the leaders and people in those churches (yes, I attended more than one) for encouraging the elitism, whether they knew it or not. They preached that their version of Jesus is the only Way, and also that the way we worship Him is the only Way. If you disagree with the sermon or theology presented, or think about Jesus in multiple historical contexts and perspectives, there’s probably something you need to be sorry for during that really emotional song that’s played after communion.

When I rejected my original mode of faith I also had to grieve it in context. I missed old creaky pews and hazy sunlight streaming through stained glass. I missed old hymnals and pipe organs. I definitely missed short sermons and the simplicity of a hymn, which if you study them, you will find that so many are much more theologically sound and linguistically complex than they are given credit for.

What a comfort to know that this loving and merciful God will not be disappointed, that his word falls over the earth like rain, covers it like snow, and nourishes it for an abundant harvest. What a comfort to know that God is a poet.

in Faith Unraveled by Rachel Held Evans

I don’t think everyone gets the chance in their lives to “come home” to the faith they had as a child. I think many people didn’t have a faith home to begin with, which is fine, or their home was unstable and emotionally manipulative or even abusive. But I had a really great home of faith and religion in my formative years. I had many healthy experiences that taught me about the Bible but also about being in community with others. In the process, I gained a large understanding of literacy and musicality. I was taught so much by loving and reliable Sunday School teachers.

Fortunately I was able to come “home,” and it was the right choice for many reasons. I wasn’t sure what I would find among creaky pews and old-church-building smell and the organ and hymns and robes and seasons like Lent and Advent, but I knew it was a good place to start.

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